The Mustang GT amplifier and the Fender Tone app come pre-loaded with the below factory presets:
| Preset Name | Description |
| Basic '65 Twin | THE classic clean guitar sound with a touch of reverb |
| Basic '65 Princeton | Fender studio favorite with the snappy tone of a single 10" speaker |
| Basic '65 Deluxe | Highly popular mid-’60s Fender tone whether clean or pushed into overdrive |
| Basic '57 Champ | Small but mighty late-’50s Fender recording tone |
| Basic '57 Deluxe | Medium-power late-’50s Fender tweed classic with compressed tone |
| Basic '59 Twin | The sound of the original-era 2x12” tweed classic prized for its clean-to-dirty versatility |
| Basic '59 Bassman | The tight, raw sound that made guitarists "borrow" their bassist's amp |
| Basic Bandmaster | Triple-speaker Fender narrow-panel tweed classic known for crisp highs |
| Basic Brown Deluxe | The snarl of a 'brownface'-era Deluxe cranked into overdrive |
| Basic Excelsior | An elegantly eccentric modern-day Fender model with the distinctive "thump" of a 15" speaker |
| Basic '66 GA-15 | Inspired by a vintage '60s combo known for its cavernous "all wet" reverb setting |
| Basic '60s Thrift | A garage-band gem, with grit and grunt prized by today's retro/alternative players |
| Basic Brit Watts | A nice clean, round sound a la the classic cleaner-tone British stack |
| Basic British '60s | The clean-to-dirty tone which powered the British Invasion |
| Basis British '70s | Inspired by the late-’60s/early-’70s tone of hard rock |
| Basic British '80s | Quintessential 1980s metal tone |
| Basic Brit Colour | A thick, growling sound, perfect for sludgy riffing |
| Basic Super Sonic | An example of a modern Fender amp with two cascading preamp gain stages for pronounced sustain |
| Basic '90s Stack | This fat, chunky sound is perfect for palm-muted riffing |
| Basic Metal 2000 | A modern, high-gain metal machine |
| Basic Studio | Direct-to-mixing-desk studio purity with clean, uncolored tonal response |
| Basic Chorus | The classic sound of 80s pop, with a touch of reverb |
| Basic Delay | A basic delay sound to use as a foundation for your sound |
| Basic Vibrato | Recreation of the rotating-speaker sound used for 60s-inspired rock or classic electric blues |
| Basic Phaser | Long-indispensable jetliner “whoosh” and swirl heard on countless recordings |
| Basic Shimmer | Sonically radiant combination of reverb and two-octave pitch shift |
| Basic Tremolo | Classic Fender “stuttering” photoresistor tremolo, from amps like the Twin Reverb |
| Basic Octaver | Doubling the notes an octave below the main pitch adds girth to this sound |
| Dual Chorus | A heavily chorused preset that makes the instrument sound 'wider' |
| Basic Clean | A great place to start crafting your own presets |
| One Of These Solos | This classic lead tone features overdrive and reverb |
| Spoonful | Straight from the British blues boom, this gritty tone has a touch of reverb for depth |
| Wild Nocturne | This crisp sound appears to swirl around the room, thanks to stereo tape delay |
| Meaner Streets | High gain rock sound that's great for hyper-speed boogies |
| Huckleberry Jammin | This gritty sound has a touch of tape echo for classic country vibe |
| GA-15RVT Wet | Ideal for ambient washes, this preset features all verb, all the time |
| E Minor Avenger | This modern metal lead sound incorporates diatonic harmony a minor third above the main pitch |
| Pawn King | Great for garage rock, this is the sound of an amp that's about to self-destruct |
| Pigs Can Fly | A fuzzed out delay that's perfect for intricate rhythmic effects |
| Johnny Marr Clean | JM's own preset starts out with a beautifully clean tone, then adds chorus and delay for movement |
| Tweed Sugar | The slightly dirty sound of 1970s British rock & roll |
| Ethereal | Designed for intricate arpeggio playing and anthemic pop, this tone is built around chorus and delay |
| ETI | This 70s-inspired hard rock tone uses a flanger to create a sense of movement |
| Nasty Champ | Intended for slow-handed lead playing, this patch has some surprising alternate uses |
| School's Out | This sound is full of attitude, perfect for playing anti-authoritarian rock |
| Derek Champ | Intended for slow-handed rhythm playing, this patch has some surprising alternate uses |
| Green Cliffs | This smooth modern lead tone features classic stompbox flavor and tape delay |
| Loud As Leads | The aggressive sound of an amp that's about to get a guitar pushed through it |
| Leadcommunication | The sound of a small department-store amplifier being used to change the world |
| Country Deluxe | This all-purpose mostly-clean tone is great for chicken pickin' |
| The Evil Bassman | Don't try to tame the raw power of this boosted Bassman, channel it for your own ends |
| Angry Rodent | Based on a classic stompbox, this preset is pure fuzzed-out bliss, great for alternative rock |
| Johnnymarrtremolo | JM's own preset is great for driving chords that add drama to a song |
| Liquid Solo | This modern lead tone features delay for thickening |
| C Baritone Clean | A unique pitch-lowered sound that's perfect for tic-tac bass playing |
| Doom Hand | This boosted British amp sound is ideal for low end droning |
| Europa | This lead sound has delay and phaser for movement and excitement |
| Aussie Rock | The no-nonsense sound of rock from Down Under |
| Metal Octave | This modern metal tone is titanic, thanks to the octave thickener |
| Neil Deluxe | Overdriven rhythm sound from the Great White North |
| Touch Of Reverb | This punchy clean tone wears a touch of reverb |
| Purple Fuzz | The sound that redefined the possibilities of the electric guitar |
| Cranked Princeton | A small amp, pushed into overdrive with singing sustain |
| Small Champ | A surprisingly fat sound from a tiny amp |
| Bolero | Perfect for bombastic lead playing, this fuzzy tone uses delay and reverb for more weight |
| Bassman Splash | Surf-approved tone where the reverb tank is placed in front of the amp for dynamic response |
| Far Beyond Driven | Raw metal sound, as big as Texas |
| Supersonic Burn | A swirling, phased sound that's great for metal leads |
| Black Hole Vibe | This preset is ideal for shimmering, upper-register arpeggios |
| Super-Live Album | The fiery sound of sizzling tubes, with some delay to keep it interesting |
| Killer Cortez | An overdriven "Arc welding" sound with tremolo, reverb and delay |
| British Steel | The classic sound of denim, studs and leather |
| Mick The Hoople | From the streets of swingin' London, this is a perfect lead tone, with a hint of delay |
| MSG Lead | Half-cocked wah, chorus, echo and delay for liquid metal lead tone |
| Roy Blues | Straight from the East Coast, this rocking sound can bring out a surprising amount of finesse in your playing |
| Pasadena's Phaser | The sound of a voltage-starved British amp, run through a phaser for thickening |
| Puppet Master | This punchy rhythm sound is straight out of the arena |
| Rockabilly Train | Ideal for classic rhythm playing, this sound has a bit of echo |
| Twister Lead | This echoed, overdriven lead sound swirls like a tornado |
| What The Fuzz | Pretend you're playing a synthesizer with this fuzzed-out and filtered tone |
| Juicy Clean | This extra-bright clean sound has a taste of modulated tape echo |
| Swirlin Diddy | This lush rhythm sound is perfect for alt rock |
| Buckaroo | This is the classic country sound—clean, with a touch of compression to balance the strings |
| British Invasion | The almost-clean tone of mid '60s British Beat groups |
| Blues 1951 | A raw rhythm sound, straight from the streets of Chicago |
| Beck Ended | This delicate, delayed tone is perfect for emotional, lyrical leads |
| Blackmagick | A smooth, Latin-flavored lead sound |
| Cleanfunk | This funky sound incorporates a touch wah for extra coolness |
| DLX Drive | An overdrive pedal into a Fender Deluxe Reverb amp…perfect |
| DoubleTracked | Perfect for modern rock, this thick rhythm sound eliminates half the work of recording |
| Dirty Jazz | A thick, smooth sound that's warm enough to stave off the New York winter chill |
| EJ | Straight from South Texas, this articulate tone is perfect for singing leads |
| Early Eddie | This preset is ideal for unleashing an eruption of guitar pyrotechnics |
| Experienced | This preset is designed for machine-gunning the audience with feedback |
| Gila Monster | A gritty sound, with a touch of reverb, that's perfect for driving into a desert sunset |
| Get Lucky | The million-selling sound of modern pop funk |
| Hold's Worth | A liquid tone that's ideal for legato playing |
| Jazz Clean | This warm, clean tone stays out of the way of the music |
| Roots Funk | A tight, punchy sound that gave birth to funk as we know it |
| Sun Session | Perfect for rockabilly, this sound uses tape echo for authenticity |
| White Keys | This modern garage rock sound goes great with a plastic guitar |
| Sco's Field | A refined lead sound |
| Rock Candy | A cool twist on a classic rhythm sound |
| Takemealive | This L.A. studio tone was used on countless hit records of the 1970s |
| Tremo-Killer | This warm, slightly psychedilc sound would be right at home in Haight-Ashbury |
| Your Mom | A powerful rhythmic sound that has a touch of Orange County atitude |
| Barracuda | A sought-after 70s rhythm tone that uses a flanger for movement |
| Angelic Shimmer | This preset calls down the heavens with washes of relaxing ambience |
| Purple Rain | There's no mistaking the tight, chorused sound of Minneapolis pop—ideal for funk-inspired rhythm playing |
To learn more about effects and amps available on the Mustang GT and Tone app click here.
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